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Margit Rowell Ed Ruscha Photographer 170 Plates Hardcover First Edition NEW
Whitney Museum of Art 2006-03-30 0874271533 / 9780874271539 First Edition Hardcover New Hardcover
This first edition hardcover book was published in 2006 by Whitney Museum of Art with 183 pages. Lavishly Illustrated with 170 plates. Insightful Online Review by Robin Benson: A well-produced book of Ruscha's photo work to coincide with his Whitney Museum exhibition. In the first forty pages Margit Rowell (who organized the exhibition) writes about Rusha's life and influences: an intriguing mixture of European commonplace; culture and heavy doses of American commercialism and print pop culture. I thought, though that she found it hard going to explain some of his work within the context of fine art. Ruscha doesn't easily fit into a high culture setting and to my mind some of his endeavors are just plain mundane, the 'Babycakes' book for instance (I fancy Ed might well agree with me, too) but he is prepared to have a go at anything: painting, drawing, screen-printing, photography, publishing, films and clearly some great art has come out of all these different mediums. The photo section of the book (114 pages and beautifully printed in 175 screen) runs from some of his first photo works in the late fifties, his European trip in 1961 to the last one, a color print presciently titled The End#4 from 1998. Annoyingly some of the images in this section could have been larger on the page, frequently the white space overpowers a photo that has plenty of detail. Included are eleven of my favorites, his aerial shots of LA parking lots, actually taken by photographer Art Alanis one Sunday in 1967, when the lots were empty. Not having seen any of Rusha's famous self-published books I was surprised to read in Rowell's essay that some of them have many blank pages. Ruscha's creative ideas only stretched to so many single images but a book has many pages, so why not just leave some of them blank and maintain the medium of a book. Apart from blank pages there was always the option of just changing the subject. His 1964 'Various Small Fires' features fifteen snapshots of an incendiary nature (a Zippo lighter, a match, domestic gas range, a smoking cigarette, for example) in a forty-eight page book but there is a sixteenth shot of a glass of milk. Ed said, in 1965, "Milk seemed to make the book more interesting and gave it more cohesion". Go figure! The back of the book lists the exhibits, a selected bibliography, chronology and finally the index. Overall an excellent overview of Rusha's photography and confirming to me, at least, that he is a bit of a creative enigma. Insightful Online Review by Robin Benson: A well-produced book of Ruscha's photo work to coincide with his Whitney Museum exhibition. In the first forty pages Margit Rowell (who organized the exhibition) writes about Rusha's life and influences: an intriguing mixture of European commonplace; culture and heavy doses of American commercialism and print pop culture. I thought, though that she found it hard going to explain some of his work within the context of fine art. Ruscha doesn't easily fit into a high culture setting and to my mind some of his endeavors are just plain mundane, the 'Babycakes' book for instance (I fancy Ed might well agree with me, too) but he is prepared to have a go at anything: painting, drawing, screen-printing, photography, publishing, films and clearly some great art has come out of all these different mediums. The photo section of the book (114 pages and beautifully printed in 175 screen) runs from some of his first photo works in the late fifties, his European trip in 1961 to the last one, a color print presciently titled The End#4 from 1998. Annoyingly some of the images in this section could have been larger on the page, frequently the white space overpowers a photo that has plenty of detail. Included are eleven of my favorites, his aerial shots of LA parking lots, actually taken by photographer Art Alanis one Sunday in 1967, when the lots were empty. Not having seen any of Rusha's famous self-published books I was surprised to read in Rowell's essay that some of them have many blank pages. Ruscha's creative ideas only stretched to so many single images but a book has many pages, so why not just leave some of them blank and maintain the medium of a book. Apart from blank pages there was always the option of just changing the subject. His 1964 'Various Small Fires' features fifteen snapshots of an incendiary nature (a Zippo lighter, a match, domestic gas range, a smoking cigarette, for example) in a forty-eight page book but there is a sixteenth shot of a glass of milk. Ed said, in 1965, "Milk seemed to make the book more interesting and gave it more cohesion". Go figure! The back of the book lists the exhibits, a selected bibliography, chronology and finally the index. Overall an excellent overview of Rusha's photography and confirming to me, at least, that he is a bit of a creative enigma.
Price:
35.00 USD
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